China’s expanding Spratly outposts: artificial, but not so new

China's Johnson Reef (赤瓜礁) reclamation project, as photographed by the Philippines Navy (click for source)

China’s Johnson Reef (赤瓜礁) reclamation project, as photographed by the Philippines Navy (click for source)

Here’s another attempt at what a blog post probably should be: a short comment on some things i’ve read online. It’s about the New York Times’ report this week on China’s island reclamation work in the Spratlys, which i think missed some important background context to China’s activities.

The subject, in summary:

China has been moving sand onto reefs and shoals to add several new islands to the Spratly archipelago, in what foreign officials say is a new effort to expand the Chinese footprint in the South China Sea. The officials say the islands will be able to support large buildings, human habitation and surveillance equipment, including radar.

This island reclamation is the latest in a long line of measures China has taken since the early 1980s to strengthen its presence in the Spratly Islands, which it views as crucial due to their proximity to China’s sea approaches, as well as present (fisheries) and future (energy) resource bounties.

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China’s Information Management in the Sino-Vietnamese Confrontation: Caution and Sophistication in the Internet Era

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Jamestown China Brief piece published last week:

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China’s Information Management in the Sino-Vietnamese Confrontation: Caution and Sophistication in the Internet Era

China Brief, Volume 14 Issue 11 (June 4, 2014)

After the worst anti-China violence for 15 years took place in Vietnam this month, it took China’s propaganda authorities nearly two days to work out how the story should be handled publicly. However, this was not a simple information blackout. The 48-hour gap between the start of the riots and their eventual presentation to the country’s mass audiences exemplified some of the Chinese Communist Party’s (CCP) sophisticated techniques for managing information during fast-breaking foreign affairs incidents in the Internet era. Far from seizing on incidents at sea to demonstrate China’s strength to a domestic audience, the official line played down China’s assertive actions in the South China Sea and emphasized Vietnamese efforts to stop the riots, effectively de-coupling the violence from the issue that sparked them. This indicated that, rather than trying to appease popular nationalism, China’s leaders were in fact reluctant to appear aggressive in front of their own people.[1]

By framing the issue in this way, China’s media authorities cultivated a measured “rational patriotism” in support of the country’s territorial claims. In contrast to the 2012 Sino-Japanese confrontation over the Diaoyu Islands, when Beijing appears to have encouraged nationalist outrage to increase its leverage in the dispute,[2] during the recent incident the Party-state was determined to limit popular participation in the issue, thus maximizing its ability to control the escalation of the situation, a cornerstone of the high-level policy of “unifying” the defense of its maritime claims with the maintenance of regional stability (Shijie Zhishi [World Affairs], 2011).

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Songs of the disputed seas: patriotic music from the anti-Japanese protests and Paracels War

Lu Haitao & Mi Li recorded a theme song for the 2012 anti-Japan protests in China

CDs with a song (one song) were being handed out for free at the anti-Japanese protests on September 18.

The song was specially recorded after the protests began by Lu Haitao 陆海涛 and Mi Li 米粒, two moderately successful contestants from the CCTV talent show Star Avenue. (Lu made the grand final, Mi won one round of the competition last year.)

I don’t know who bankrolled its production, and neither did any of the other bemused attendees who, like me, rushed over to grab whatever everyone else was grabbing. But according to this BBS post, Mi Li herself shelled out her own money for 1000 of the CDs to be pressed.

As horrid as its mixture of Han-chauvinist and Maoist nationalism is, i have found it compulsive listening….and strongly advise against giving up before you get to 2 minutes in — for a spectacularly hammy rap section awaits there. Yes, Diaoyu RAP!

I particularly love the way the guy’s “之” syllables just become growls. Being based on the language of officials during imperial times, it’s not surprising that the Mandarin language is amenable to the kind of haughty authority the song attempts to voice.

As for the diva, well, she may be rather nastily screechy, but not nearly as screechy as the lady who sang ‘Battle Hymn of the Paracel Islands’ to celebrate China’s victory over hapless South Vietnamese remnants there in 1974:

Source for the background image is Chineseposters.net.